First Rehearsal
Friday, February 6th, 2009 by AllieOn Sunday playwright Motti Lerner landed at O’Hare airport after 8 hours of flights and layovers from Tel Aviv. His itinerary for the week he’ll be spending as our guest in Chicago is packed! There are appearances on WTTW’s “Arts Across Illinois” and Chicago Public Radio’s “Worldview,” he’ll speak with JUF News and Chicago Jewish News, and even appear on an episode of Silk Road’s own CAN-TV series “Silk Road Sojourns.” But it’s not all about work for our celebrity. He mentioned to me over cups of Starbucks the other morning that he also hopes to visit a friend who lives in Naperville that he hasn’t seen in 40 years!
The following pictures are from first rehearsal of Mr. Lerner’s play Pangs of the Messiah, which will preview starting March 19 and open March 28. The shots are paired with quotes from the Meet the Playwright event that was held at the Silk Road office on Tuesday February 3.

David Chack and Motti Lerner
About the topic of the play:
“The set designer (Kurt Sharp)… said last night that a good play is about the worst day in a person’s life.”
“What is the most dangerous political phenomenon that is taking place in Israel? And this (question) was in 1985…”
About Messianic beliefs:
“It (the play) was not written from hatred. It was written from fear.”
I think it is very evident in the play that I respect those people very much, but I oppose them totally.”
“This is a messianic movement. They think there is a possibility to change God’s plans – to accelerate the coming of the messiah.”
“If you believe you can accelerate the coming of the messiah that’s fine, but don’t impose those ideas on the state… we have to negotiate with people, not angels.

Jamil Khoury and Jennifer Green
About being a writer:
“I do not write about remembering events. I do not write about contemplating events. I write about events that are present.”
Mr. Lerner described rehearsal of new plays in Israel as being an 8-week process. “We all agree that the first four weeks we do changes,” he said.
“You can’t write a play if you judge the characters… be very intimate, feel them, love them… to feel that you are in their shoes. On the other hand, you have to write from critisism… look at them from a distance and know who they are.”
